| Management number | 241250058 | Release Date | 2026/07/17 | List Price | US$158.40 | Model Number | 241250058 | ||
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The Sennheiser 509621 is a stereo bodypack receiver designed for professional in-ear monitoring, paired with IE 4 earphones to deliver clear and reliable sound on stage. Operating within a frequency range of 470 to 516 MHz, it offers up to 1680 tunable frequencies across 16 channels, providing ample options to secure a clean wireless signal in busy environments. This combination is well suited for musicians, sound engineers, and performers who require consistent audio quality during live performances or rehearsals.
Equipped with adaptive diversity technology, the receiver maintains a stable connection by minimizing dropouts and interference. Its compact metal housing is built to endure the demands of touring and daily use, while weighing just 125 grams with batteries installed. The unit supports power from two AA batteries or a rechargeable accupack, offering flexibility for different setups. The included IE 4 earphones connect via a 3.5mm stereo jack and deliver detailed sound with effective isolation.
The receiver connects to the included IE 4 earphones via a standard 3.5mm stereo jack, ensuring compatibility with a wide range of in-ear monitors. Infrared wireless synchronization allows quick pairing with compatible Sennheiser transmitters, streamlining setup in live or rehearsal environments. The unit’s frequency range and multiple tunable channels make it adaptable to various wireless systems, reducing interference and improving reliability.
This bodypack receiver and earphone set is a strong choice for live performers, sound engineers, and musicians who need dependable in-ear monitoring with clear audio and stable wireless performance. It fits well in concert venues, theaters, and rehearsal spaces where multiple wireless systems operate simultaneously. The durable build and flexible power options make it suitable for touring professionals and studio use alike, providing consistent sound quality and freedom of movement on stage.
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